A must-see, mother-daughter psychological thriller

The play is a psychological thriller between mother and daughter, and is the third of a three-part series of psychological healing written by Jitcheonna.

It might not be too vague to be called a " scrella play, " but the audience will be very sensitive when they see how their heads feel and their bodies start to tremble. The play is enough to capture the hearts of the audience with its outstanding cinematic quality and the appalling acting of the actors.

I wonder why they were so forcibly taken away from me because they took something from me. Her mother, who has tried to make her a commonly spoken success, can not accept her daughter's death.

Therefore, the mother tries to seize forgotten memories in order to find out the truth under suspicion of murder. The play revolves around what the mother and Yoo Han-min, who are torn at the end of her memory, have faced at work and at home at school. Han was a model student, a good daughter, and became a lawyer despite her mother's expectations.

One day she began to see all her faces as her mother's, and she was afraid to meet them. Yoo Han-min is no longer a good daughter, but a daughter who breaks her mother's dream. The only place she feels comfortable is in the nine-thirty elevator. Can Mom face the truth of Han Min's death? The play tells of the self, the lost face.

A delicate and dense psychological play
It was the first time that I had ever seen a performance and focused on it completely. The white stage made my eyes hurt, but I forgot my discomfort and got sucked into the play completely. The moving characters showed their inner psychology in detail, and the sophisticated lines and highly accomplished actors did just fine. The sum of realistic and detailed metabolic performances creates a great deal of immersion for the audience and maintains the tension. Video also played a role in keeping up with the tension.

The faces of the person behind the camera were sufficient to heighten the drama. Of course, there is something missing. Maybe it was because he was too deeply involved in the realism and delicacy of face theft. The scene where he pretended to hit me sometimes felt awkward and unnatural. Not only does the play have a thriller, it sometimes makes you laugh and cry.

Of course, there are times when I get goose bumps, but it makes sense. Because what they say and do to each other is like I'm talking and listening. These are all the more deplorable relationships because they have to be understood. The play is a dense piece of work with remarkable inhalation.